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Deborah Tobola To A Poet In Prison The craft of poetry is not unlike auto body repair after all. With the right tools—torches, words—you can transform a rusted wreck of a world into a shiny new ride. Get you some paint, glass and chrome and make it real. The craft is not the question: It’s the art that matters. What separates the poet from the guy who slaps a new coat of paint on an idea is more mysterious, more urgent. The art of poetry has nothing to do with making a living; it has do with making a soul and making the world soul larger. It’s a calling and an answering. The poet is a poet no matter where he finds himself, no matter what befalls him. He writes because it is the only thing he can do when all around him others do too much or too little. He writes because, whether he knows it or not, he is in dialogue with God, translating the aching world, making sense of things too terrible or beautiful to believe, serving them up for others to take in, word by word. Even the young poet knows that his gift is a burden, that what he weaves is a fragile basket of words to hold the world. He takes things hard, though his words may evoke the softer world, where truth is a moon flower blooming in the dark hollow of the throat. The poet knows no easy way out, carefully assembling his vehicle, your transportation, stopping, stepping back, looking through the tinted blue at you, and through, and back at you. This poem first appeared in ArtRag in Spring of 2002. Deborah Tobolah |
This poem copyrighted by the author. All rights reserved. No reproduction in any way without permission of the author. |